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The film depicts a borderline torture-porn degree of brutality that puts it in the company of films like Rosewood and 12 Years a Slave, in that will make you want to go into the office the morning after watching and push fucking Todd in accounting with his fucking chinos and fucking tucked-in Polo shirt out of the motherfucking plate-glass window on the 12th floor.I have a strong constitution for hard-to-watch movies, but even I had to pass my ticket to the world premiere off since there was no way in the name of Vishnu that I would sit through it twice in three days.The very first person I asked was the Lyft driver – a brother just a few years older than me – who took me from the airport to my hotel.He was concerned that – a film centered around the racially motivated five-day rebellion in July 1967 that resulted in more than 40 deaths and thousands of destroyed buildings – might disrupt relations between native black folks and the city’s “new” white people, who are ostensibly at the helm of the city’s “revival” that people have been waiting for since I was pushing a big wheel.There were many shed tears and some walk-outs at the screening I attended. For us native Detroiters, there’ll certainly be an element of aggravation at the fact that there’s an eponymous movie representing the city in such a harsh, if historical, light, considering that the media has spent years portraying Detroit like its Mogadishu in the early 1990s.Sure, it’s a historical film depicting events from 50 years ago, but Detroiters are fiercely defensive people and this is just another thing that will make us want to throw hands at shit-talking outsiders.Considering the film’s brutal content, we shouldn’t want black women to be unnecessarily injected into that.

The set, mostly shot in and around Boston, actually resembles Detroit; Motown music is used to great effect, and the acting should generate Oscar buzz: Algee Smith, who played Ralph Tresvant in The New Edition Story, serves as the film’s emotional center and is destined to be a true star.

Samira Wiley pops up looking fly for about seven seconds, and every other sista in the film pops up in a SAG-AFTRA minimum-rate capacity.

However, Black women simply weren’t present at the Algiers Motel during the incident.

And, because he does such an amazing job, you’ll truly despise every hair on the comically arched eyebrows of Will Poulter’s Philip Krauss, the film’s primary antagonist.

(The British actor is actually extremely genteel in person.) I won’t dismiss as unjustifiable the inevitable firestorm of polarizing opinions about .

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